Film as Provocation: Blasphemy as Political Tactic
by THIERRY MEYSSAN (GLOBAL RESEARCH)
(September 15, 2012)The circulation on the Internet of the trailer for a film, The Innocence of Muslims, sparked demonstrations across the world and resulted in the killing in Benghazi of the U.S. Ambassador to Libya and members of his entourage.
At first glance, these events can be located in the long line leading from Salman Rushdie's Satanic Verses to the burnings of the Koran by Pastor Terry Jones. Nevertheless, this new attack differs from other incidents in that the film was not directed at a Western audience but instead was uniquely conceived as an instrument of provocation directed at Muslims.
In political terms, the affair can be analyzed from two angles: from the tactical perspective as an anti-U.S. manipulation; or from a strategic one, as an anti-Muslim psychological attack.
The film was produced by a Zionist group composed of Jews of double Israeli-American nationality and by an Egyptian Copt. It was completed several months ago but was released at a calculated moment to provoke riots targeting the United States.
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